Since their first theater, the Theater Lebanese Samer Hanta of not looking forward to giving opportunities, and to the unsubscribe to draw their own way. At university, while prepared a project is decided to write a theater, conceive a theater, and by commitment in a field that is still rare in Lebanum: Theater. Theater. I didn’t want to choose “musical,” by limiting the experience. We wish you a creative, Capitizer-hairstyledge of the first moment that’s the first type of theatrical to the artist to their deep instruments and discover their energies.
Since the submission of Diploma, Hanna’s project is following a path is not less than the presence of the text and the theater, and is considered to be in the narration; And further away than added adornment to it.
In the small “Mono”, his play, “Staring Yara Anton, and Josyan Paul. A mimic I am education that the development of the event, give the text his poetic and music at the same time.
Is not happy this success, so prepare for a new game that shows in September, entitled “Alla”; Its kind of love for her: nutded music. Samer Hanna told Asharq Al -awsat: “History revolves around the monkeys, and things are spreading after. What seems to be loved in front of the rooms is just a miserable mask.”
Where are the songs in this context? How turns the game in a musical show? Has answered: “In the text, and since the program did not get high died, the product decides the duo of the narration and ours of the game.
Samer Hanna knows the Laban audience no matter your long auditers, therefore, works for the tests of time and warranted the sight. “Enter the passion to reality, and the dream of a lives of a wide’s theater. I tend to the subject, but I love you with the song is warranted; I’m not being beaten.”
5 years past entering the world of the lavy theater; It was not easy, and wasn’t miscavered. He produces its own game; Money pick up by an offer to invest in the next. There cannot be counted with the known asimes such as “but he has talented young, he is the most he is the most shot. It is an example is appropriate for the stage, and reveal a presence of honesty.
Samer Hanna is a bit in Leban choosing the theater semicates its artistic identity. Admits a little pain that sometimes feels is in an empty loop. It is proof of expanding it, penetrate, but the reality remembers its limitations. Then he refuses to be a limited or emergency level. Resisted by his effort, his voice his own, and his repentents.
In his vision of the direction, hanna held the breathing of each pushers can affect the job or more command of the punishment.
However, how the recipient interacts with this type of theater? Is it preferable? The responses: “The effect range from the person to the person. Some can not vibrate in front of one hourly on the piano does not move that beauties. This is the theater’s beauty to their maximum interview.”
Samer Hanna doesn’t need extraordinary voices to perform the lyrical theater. It is enough a body that you see in a stream, express the beat, and present the contact, and I don’t make the character in depths just see. ‘
0 Comments