The departure of Ziad Al -Rahbani … the grief of the whole age in the heart of Fayrouz
Setting sad for the fans of Al -Rehabna. The Lebanese Minister of Culture Ghassan Salama, the late Ziad Al -Rahbani, had to be mourned, to believe that the riotous genius had already left.
The word Salama revealed that Ziyad’s health condition had deteriorated, and the concerns grew up: “We were afraid of this day, because we know the exacerbation of his health and the diminishing his desire to treat. And plans for his medication in Lebanon or abroad have turned into mere obese ideas because Ziad no longer finds the ability to visualize the treatment and the processes it requires. May God have mercy on him, a creative, creative, we will cry, while we repeat songs for him, you will not die. ”
Minister Salama revealed in a television interview that the ministry was following his health situation in recent months through close friends who remained around him, and that “he needed to plant a liver and the process dangerous, and Ziad remained hesitant because the results of the operation were not guaranteed, and the result came as sad that seemed expected for weeks, yet the news fell painfully to the extreme.”
It was reported that Rima Rahbani had prepared a three -storey residence, one of which was to establish Fayrouz and her one, and the third for Ziad, after his health deteriorated, the family moved to him so that she could take care of a fad and remain surrounding him.
Ziad Rahbani theater, musician, poet, distributor, player, director, is all this at the same time. A multiple artist, his spontaneity was characterized by the day he wrote, and his ingenuity when a tune, and his lightness embracing the theater.
About 69 years old, Ziad left, leaving the heart of his mother, Fayrouz, the sorrow of the whole age. He is the one who gave her a different new artistic life after the departure of his father Assi Rahbani. He wrote to her what he presented with another flavor for a required generation. Fayrouz became with him for all ages, the love of boys as they were the love of their fathers and mothers, and the grandparents.
He accompanied his mother in her concerts, distributing and playing the piano, and gave her popular popularity. His absence will be heavy and parallel to the entire Lebanese artistic scene, his expected concerts will disappear, but his plays that did not stop broadcasting and citing them, and repeating their sentences on the tongues of people until they turned into a diligent sayings that will remain.
Many will remain from him, as he was originally absent and returned, because of his overwhelming mood, but this did not always prevent him from being present. He exudes art, as if it is an innovative artistic state that does not stop, if it is rich even with his hoarse voice, it seemed that this singing deserves to be listened to, and if he mocked the people after him his mockery as jokes that deserve to be narrated, and if he announced a party, the lovers waited for him much before the appointment to secure their seats. It is a stand -alone artistic state, since he was young and his talent is amazed.
His first teenager began to form a tune for his mother, Fayrouz, “They asked me people”, which revealed a talent that was not despite his disturbance. During the Lebanese Civil War, Ziad Rahbani star was remarkably brightened through his plays, which some preserved their texts by heart. The beginning came with “Al -Surrah”, “As for Bakra Show”, “A Long American Film”, “Shi Filler”, “Had it not been for the Fifth of Hope”, “Regarding the dignity and the stubborn people.”
Have you seen plays trading like songs? Or did you hear about texts that are cut, divided, and become proverbs and ruling. Thus, Ziad’s words were attached to the minds quickly, as composed by him. The plays were circulated on cassette, which were circulated by the radio and broadcasting them constantly, then work was re -filmed two plays and a show in their poor version, and that was the best possible, in cinemas.
Ziad’s sarcastic spirit, with his deep linguistic linguistic skill, and his striking musical skill, made a strange mixture. All of this was poured not only in the plays, but also in the songs that appear from now immortal and cannot be old, such as “p.” Or “your back is a resonant” or “your love I forgot to sleep”, or “I have confidence in you”, and a lot, which you hear once and remains stuck in the mind.
It is recorded to increase his boldness in changing the turquoise style, and turquoise, even reluctantly, was not expected, brought them a lot of criticism after Assi’s death. But Ziad was not just an artist, he is the bearer of issues, and one of his most important issues that no one talks about, and his fans do not care carefully, he is his terrible support for a woman in his songs, he speaks in her name, complains about her tongue, tells about her torments, and makes fun of the man who is always unable to reach what a woman is waiting for.
In his cylinder, “Monouduz” with Salma, this is manifested, and she says to her lover, “He made a lot, concluded the sulfate, not you are the minister and I am a Nefertiti”, or “My creation is narrowed, my boy from the nervous Halju … O boy, doubt what is beneficial, what will benefit you! Who can make you easier, always lie for his time? It is difficult to find a man who wrote the woman with the man with spontaneity and ingenuity in which Ziad wrote, in endless songs.
Recommended his personal experience that women did not find a way to coexist with. He never said that he was explicitly chasing women with the usual struggle, but he remained all the time to translate the slogan the fog that we transmit with a massive torrent of melodies and songs that made men repeat them while they are happy, and enjoyed.
https://www.youtube.com/watch?v=vkouack_ku
The children of artistic myths can rarely turn into a legend, often imprisoning the aura of the family. The towering son of Fayrouz and Asi Al -Rahbani Al -Shamekh, the prisoner of the massive glory he inherited was not left. He left the house very small, to escape family quarrels that could no longer tolerate it. A situation that he admitted was harsh, but he might have freed him from everything, liberating him until he became a prisoner himself who escaped from every like or like. Ziad Al -Rahbani has become something else, whose songs are not similar to the romance of the two Rahbani brothers, or their theatrical atmosphere.
Ziad went to the bitter cynical criticism even from himself, did not go, hesitate, or wrapped his anger, and his discontent with the sectarianism that he hated without hesitation or boredom, and fought it with all his texts and actions. Ziad was not the tongue of everyone in his political positions, but he met in his artistic works unparalleled, and in his genius, which made him the love of the Syrians and the Egyptians, and many Arabs who listened to him, despite the general public of his works and its sunken rhythm in a local Lebanese, who made it difficult.
On the day Fayrouz sang “How are you, you are the world,” the world rose up on him and did not sit, how did he take his mother out of her sobriety, to light words that are not appropriate for her, but the time proved that Ziyad was more than everyone, and that “I have confidence in you” and “not the story of Hay”, and “Eh in Amal” was not less genius than “I love you what I know why” and “we are called us” or any of the songs of the two brothers.
Ziad left a huge archive, and today he must find someone who is concerned with, collects and rejuvenates. The composition and composition began small. In addition to plays and songs, there are press interviews and soundtracks that he put in place for many artistic works, including films, as well as there are radio programs and works that were not published, except for the distribution that he worked on for many songs that Fayrouz re -sang in her concerts after the death of Assi, in addition to his own songs, and those sang by his late age friend Joseph Saqr.
Ziad Rahbani is a phenomenon, not an artist. He accompanied the story of Lebanon and sipped it music, words and representative texts. He is every Lebanese born with the war and remained his lives until his last breath, but Ziad was able to say what others were unable to ridicule, joke, the eloquent Lebanese word and immortal melody.
